Dino Paravano – Wildlife

Painting wildlife is the passion of artist Dino Paravano. Born in Italy, Paravano lived in South Africa for many years. He is perhaps best known for his masterly paintings of Africa’s seascapes, sun-drenched landscapes and its wildlife. His unique understanding of — and ability to portray — animals in their natural habitats are brilliantly expressed in pastel and oil. Paravano is now a North American resident.

Educated at the Johannesburg Art School, study tours to Europe, England, the United States and South America for observation of wildlife enhanced Paravano’s natural artistic talent. Paravano has had more than 14 one-man shows in South Africa, New York and London, and his artwork has been exhibited internationally in more than 170 exhibitions of world class wildlife artists. His original artwork is also included in many prestigious private and corporate collections around the world, including the Kruger National Park collection in South Africa. Paravano’s paintings, drawings and illustrations also appear in eight books on African wildlife.

Since 1985, Paravano has participated in each of the Leigh Yawkey Woodson Art Museum’s “Birds in Art” and “Wildlife in Art” shows and tours. In 1993, Paravano was the Leigh Yawkey Woodson Master Artist. Several Paravano originals are in the Museum’s permanent collection. Paravano has also been an exhibiting member of the Society of Animal Artists since 1983.

Although most of Paravano’s work is executed in his studio, it has all originated in the field. He believes that observing nature is important to carefully note color, shape, texture and the relationships between various objects. In his pastel work, Paravano at once achieves a soft, delicate surface that glows with the warmth of his palette and moves with the dynamics of his composition and forms.

Stan Myers – Coastal, Landscape

The distinctive watercolors of Stan Myers are characterized by his sensitive observation to detail expressed through his vivid palette. “I use brilliant color,” he says, “to capture the feeling of light and atmosphere, at the moment of the experience. Light on a surface reveals the object, but more, the mood and substance of that single moment I have been captivated by and desire to share with the viewer. How can any of us help but want to share special moments of discovery with another”

Born in northwestern Ohio in the mid 1950s, Myers received an associate degree in technology from the Fort Wayne School of Fine Arts and a Bachelor of Fine Arts from Calvin College. A member of the prestigious American Watercolor Society, he has worked as a freelance artist and private teacher. He has exhibited in Grand Rapids, Michigan, where he now resides, as well as Chicago, Los Angeles and New York. He has participated in national and state competitive exhibitions receiving recognition through several awards. His paintings are included in private, corporate, government and museum collections throughout the U.S.

The landscapes of Stan Myers have a “peaceful harmony” about them that is apart from the rigors of the daily routine. He delights in finding places to paint that, as he says, open his “eyes and mind to the great richness about us in Creation — landscapes and intimate settings that provide a sublime revelation of beauty in its characteristics. When people view my work, I would like them to discover these places through the art as I have. To experience a taste of what I have experienced, to share in the goodness of that moment of life. But, in addition, I would like them to understand that the painting is not only a personal impression or statement of experience, but also an image that is created to reflect beauty in its aesthetic and composition as a piece of artwork.”

Collectors appreciate the sparkle of vibrant blues, radiant whites, brilliant reds and lush greens that the artist exuberantly incorporates in his depictions of a variety of themes, most commonly related to tranquil waterfront settings. Whether it is hypnotic patterns of light on waves of water or the accuracy in his careful attention to every line of rigging on a boat, the viewer can’t help but share in the moment of passion the artist was captivated with as he painted it.

Myers has also made frequent trips to Italy, seeking to capture the fleeting impressions he adores in a series of paintings that reflect the old-world culture found in the Mediterranean architecture, landscape and sunny temperament of the people. As he absorbed the colors, texture, scenery and lifestyle of Italy, he found he was forever changed, emotionally and artistically: “Exposure to the people and the country has given me a new direction and insight to the special beauty that is around all of us, not only in Italy, to be found.”

Myers is an artist who continually seeks beauty in order to share it with others through his unique work.

 

John Mullane – Wildlife

A true artist sees what the average person does not, finding something exceptional in the everyday and something extraordinary in the ordinary. John Mullane sees the beauty of nature in urban environs where it could easily be overlooked.

Mullane loved art since he was a youngster, and his parents encouraged him with instructional books on animal drawing. He intended to become a portrait artist, but instead pursued a career as a drummer along the way. His band, “The Raw Poets,” recorded demos with rock musician Roger Daltrey, former lead vocalist of Who fame. Despite the fact that Mullane gave the music business his all for seven years, success as a musician eluded him.

It was during this time that, by chance, he happened upon a book of wildlife art. Until that moment, he had never considered painting wildlife. “Music had taken me away from art,” he noted. “I got interested in painting and focused on it when I discovered The Art of Robert Bateman in the library of The Fashion Institute of Technology in 1988. It inspired me to see if I could paint wildlife, and so I taught myself over the next couple of years. That one book changed the entire direction of my life.”

The Bronx is home to Mullane, his wife and two small sons. When a book signing provided an opportunity for him to see the man whose art had influenced the course of his life, Mullane was thrilled to meet Bateman, telling him, “I’m a wildlife artist from the Bronx.”

In 1992, Mullane submitted what was his first serious attempt at painting wildlife, entitled Baby Jay, and incredibly, his painting was accepted into the prestigious “Birds in Art” exhibition at The Leigh Yawkey Woodson Art Museum. Displayed in the same exhibition were paintings by some of his artistic heroes, including Bateman and Brenders. For Mullane, it was an overwhelming experience to have his own work shown alongside those of such legends.

A New York gallery began to show Mullane’s work, and when the first piece sold, the artist was called to pick up his check. Once he got to the gallery, he saw his painting hanging next to a Bateman and, in his excitement, forgot about the check. Mullane began accepting commissions in 1994, and today, a decade after first beginning to paint, he finds himself unable to keep up with collector demand for his work. Making reference to a former job in Manhattan, he says with a smile, “My collectors refer to me as ‘The Doorman Artist.’”

Mullane conducts fieldwork in nearby Central Park and at The Bronx Zoo, taking photos and sketching. After he selects the subject, he researches the background. “I try to find ordinary things that inspire me. For me, there is something exciting about bark.” Few people possess this level of appreciation, and for Mullane, it was a revelation to read Carl Brenders’ book and discover another kindred spirit who shared his enthusiasm. “I’ve always felt the need to say as much as I could about the subjects that I paint,” he notes.

Equating his painting process to putting together the pieces of a puzzle, Mullane gathers his reference materials and brings them back to the studio where he does watercolor value studies and thumbnail sketches to find the ideal composition. His preferred medium is acrylic, but he will occasionally use gouache and watercolor.

Mullane’s fascinating compositions celebrate the harmony, rhythm and timelessness of nature. Abstract patterns of slow-growing lichens and mosses are juxtaposed against moments as fleeting as the flick of a squirrel’s tail. With each viewing of his intriguing paintings, something new and delightful awaits discovery within a mosaic of textures, reflections and shadows. The art of John Mullane reveals the wonder of the familiar.

 

Laura Mark-Finberg – Wildlife

Laura Mark-Finberg’s paintings have been described as “windows unto the soul” of the animals she paints., During a career that has spanned more than twenty five years Laura has explored a vast array of subjects in her quest to help the viewer understand a little more about the animals she paints. Laura is meticulous in her research and attention to detail and demonstrates a flawless search for truth in each painting…

Working primarily in acrylic, Laura’s technique is to build up layers of paint to create the detail, depth and reality of her paintings. Her favorite subject are the predators. “Unlike some animals there is such awareness in the eyes.”

Laura has traveled extensively. Her research has taken her to such divergent places as the Himalayas in both Afghanistan and Kashmir and to the undersea world off the coast of Venezuela.  Laura believes, “it’s the research that keeps my paintings fresh and alive.

I personally need to be able to reach out and touch my subject matter. I believe it gives a reality to my work that is not obtained by being sequestered in a studio or painting zoo animals.”

In a painting of a peregrine falcon it wasn’t enough to accurately depict the bird. My husband Barry and I climbed a sheer cliff face to photograph the rocks at the top of the mountain. “We sometimes place ourselves in precarious situations in an effort to capture reality in a painting.”

Laura , is a member of the  “Society of Animal Artists” and has been “Featured Artist” at a number of shows including                 , the National Wildlife Art Show in Kansas City in 1998,  and  the  Nature Works Show in Tulsa, Oklahoma in 2008.

She has exhibited at the Hiram Blauvelt Museum with Artists For Conservation and in 2012 was  selected as a “Featured Artist” by the Rocky Mountain Elk Foundation . In 2013  Laura was selected to exhibit at The Bennington  Museum’’s ,”Art Of  The Animal Kingdom”.

Her work has appeared on the cover of a number of national and regional magazines including “Wildlife Art News”.

Laura has won the Pennsylvania State Conservation Print Competition on three occasions,  and has worked with conservation groups throughout her career. In 1990 she produced Waterfowl USA’s  NY 1st of State Conservation Print, and was the Member Artist of the Year for the National organization in 1991. She was one of sixteen artist from across North America selected through  “The International Treaty Support Fund” to work on a limited edition leather bound book on endangered species.

Laura  painted the “Companion Print of the Year” in 1995 for National Whitetails Unlimited. In 2002, working closely with  the  Rocky Mountain Elk Foundation,  Laura produced the 1st of State Conservation  Print for Pennsylvania.

As a tribute to her father’s influence she continues to sign her original work using her maiden name, “MARK”.

Karla Mann – Wildlife

Karla Mann grew up in a small town in the state of Washington. Her passion for drawing started at a very early age. She continued as a self-taught artist until she entered Tidewater Community College in 1991, the same year her son entered College. After receiving an Associate of Fine Art with honors from Tidewater Community College in 1994, she continued her education at Old Dominion University. She graduated Suma Cum Laude from Old Dominion University with a Bachelor of Fine Art degree in 1997. Karla has taught at the Visual Arts Center of Tidewater Community College in Portsmouth, Virginia and is at present teaching at the Contemporary Arts Center in Virginia Beach, Virginia.

The medium of choice for Karla is oil, but she is very adept at colored pencil, and even sculpture.

Karla has won numerous scholarships and national and international awards for her work. She has been published in the “Best of Colored Pencil, Volume Five, the Daniel Smith Catalog, and Art Wanted.com, Creative Minds. Her commissioned and sold works are in collections from Italy to the USA.

 

Rod Lawrence – Wildlife

Rod Lawrence graduated with a fine arts degree, magna cum laude, from the University of Michigan in 1973. Since then he has been working full-time as a professional artist. His credits include being named the Michigan Ducks Unlimited Artist of the Year in 1979 and the Michigan United Conservation Club’s Michigan Wildlife Artist of the Year in 1981. He has the winning designs for the 1981, 1987, and 1992 Michigan Trout Stamps. He had an unprecedented double win for both the 1995 Michigan Duck Stamp and 1995 Michigan Trout Stamp. He also won the 1983, 1990, 2000, 2002 & 2007 Michigan Duck Stamp design contests. He is one of only two artists to win six Michigan Duck Stamps and one of only two artists to win four Michigan Trout Stamps. He is a Signature Member of the Society of Animal Artists.

Lawrence has exhibited in many group and one-man shows, including the prestigious Leigh Yawkey Woodson Art Museum’s “Birds in Art” and “Wildlife: The artist’s View”, Bennington Center for the Art’s “Art of the Animal Kingdom” and The Society of Animal Artists annual show.From these shows his work has been chosen several times for their national tour. His art has appeared as covers, illustrations and features in many outdoor magazines. Three sets of limited edition collector plates also feature his work. He is an active instructor for artists’ workshops. An instructional book “Painting Wildlife Textures” written and illustrated by Lawrence was published and released by North Light Books in March of 1997. The book was released in both an English and Chinese edition. A second instructional book, called “Painting Basics – Waterfowl & Wading Birds” was released in December of 2000. He is the co-author of the instructional book “Wildlife” for Walter Foster Publishing, which was released in the fall of 2004. A revised version of this book authored entirely by Lawrence titled “Animals” was released in 2009. His book “Painting Wildlife Textures” was updated and re-released as a “classic” by the publisher, North Light Books in 2011.

A log cabin in the hardwoods of northern Michigan, overlooking the North branch of the Manistee River, is home for Lawrence and his wife, Susan, his high school sweetheart. The symbol preceding his signature in each of his painting shows the importance of his family in his work. The oddly shaped “S” is for his wife Susan, and the “M” and “B” represent their grown sons, Matthew and Brett. Sue is an acomplished basket weaver, instructer and teaches 6th, 7th, and 8th grade, all subjects in a one-room school not far from their home.

The main focus of Rod’s art currently is painting commissions for collectors and special venues such as the Woodson Art Museum’s “Birds in Art” show, the Society of Animal Artists annual members exhibition, the Bennington Center fo rthe Arts “Art of the Animal Kingdom” and others. Rod’s paintings were again juried into the Birds in Art show 2013, and the Society of Animal Artists 53rd Annual Members Exhibition. His painting in the SAA show was selected for an Award of Excellence in October, 2013.

Rod likes an active lifestyle and in addition to excursions to research and photograph his wildlife subjects, he enjoys hunting, tennis, and basketball. In 2009 he was one of a crew of four that sailed a 36′ sailboat from Norfolk, VA to Bermuda (640 miles out in the ocean) and back. That same year he was one of three wildlife artists on an expedition through WREAF (Wilderness River Expedition Art Foundation) that canoed across Quebec from Shefferville to the George River. Rod also sailed through the Soo Locks up to Isle Royal. Most recently he surprised Sue and the two of them went skydiving at 10,000 feet above Harbor Springs, Michigan.

Kathy Lawrence – Figurative and Religious

Kathy Lawrence grew up and studied art in New York City, in an environment ideal for a budding artist. Her earliest childhood memories are of happily painting alongside her mother in her studio, using her mom’s best sable brushes and paints. Today, like her famous mother, Lawrence is well known to collectors for her paper doll books. She often modeled for her mother, artist Queen Holden, whose paperdoll books from the 1930s to the 1960s are highly collectible and are still being reproduced today.  Surrounded by her mother’s artist friends, Lawrence was familiar with illustrators such as Maude Fangel, whose lovely pastels of babies graced magazine covers from the 20s through  the 40s, and children’s book artists Eulalie and Ruth Newton. Recalls Lawrence, “I was blessed with a wonderfully nurturing childhood, and I’m sure that has had a role in making children such a favorite subject of mine. Painting the things that delight me a child’s little hands in prayer, the play of light on a fringed coverlet, the precious feeling of a baby in one’s arms makes artwork ever fascinating and challenging. I love to include the timeless old toys that are a child’s patient and loving companions, and to place them in surroundings that feel familiar, comfortable and safe, like the childhood I remember.”  The charming illustrations of Kathy Lawrence have been included in the Society of Illustrators’ prestigious Annual of American Illustration.  Lawrence has painted for a major greeting card company for many years, and her artwork has also appeared on collectors’ plates and giftware. Among her portrait commissions is the official portrait of former Los Angeles mayor, Thomas Bradley. Lawrence, her husband and daughter live in Texas and share a passion for old historic houses. Together, they are restoring a turn-of-the-century Queen Anne Victorian home.

Shane Lamb – Wildlife and Landscape

As an artist, Shane Lamb has been capturing the beauty of Alaska most of his life.  He received his formal art training from Brigham Young University, earning a Bachelor of Fine Arts degree in 1990.  Since then he has dedicated his professional life to painting the Alaska he knows, drawing inspiration from a land he considers one of Nature’s most beautiful.

Although he has been influenced and inspired by other artists, his recognizable style is uniquely his own.  His works of art are the culmination of many hours spent in the field studying and experiencing the subject of each painting before it is painted.  Through his use of beautiful color, combined with a strong sense of light and composition, he creates work with a mood and realism that sets it apart.

Lamb works in acrylics and oils, producing between 5-10 originals a year.  As a self-published artist he is known for his limited-edition art prints and hand-embellished giclee canvases with many sold-out editions.

Each year Shane Lamb contributes his work to many important causes.  He has been chosen as “featured artist” for many of Alaska’s most important fundraising events.

His artwork has been commissioned by various corporations in Alaska including, The Alaska Railroad, The Alaska State Fair, KAKM channel 7 and British Petroleum.  He has also been awarded several 1% for Art, permanent art installations, featuring his art in public buildings by the State of Alaska. His painting “Where Men and Trains Seem Small” was selected to hang in the Anchorage Museum of History and Art’s “All Alaska Juried Art Exhibition.”

In 2010 he was Ducks Unlimited artist of the year with his work “Sunset on Creamer’s Field.”

Shane Lamb’s limited-edition prints, giclee canvases and original paintings can be found in galleries and private collections throughout Alaska and the U.S.

 

Andrew Kiss – Landscape and Wildlife

Born in Hungary in 1946, Andrew and his family immigrated to Canada in 1957 after escaping the turmoil of the Hungarian uprising against the Russian invasion.  After arriving on the East Coast of Canada, their journey eventually led them to Vancouver Island, British Columbia.   Although Andrew spent his early adulthood employed as a topographical draftsman, his love of art was always with him.  He began working with oils and painting his surrounding landscape.  A move to the interior of BC gave him more inspiration with the vast mountains, lakes, and wildlife.  In the early 1980’s he started to paint wildlife and sell his works through small local shows and galleries.  This self taught artist was starting to see his talent evolve through developing his own recognizable style.

With a growing demand for Andrew’s work he began to produce limited edition prints.  110 editions are still on the secondary market and have made him a highly recognized name worldwide.

Exhibits and research have taken Andrew to far parts of the world, such as Hong Kong, Switzerland, England, Austria, New Zealand, Germany and Africa.  Extensive travels around North America have allowed Andrew to exhibit in such places as Florida, South Carolina, Las Vegas, Montana, Phoenix, and Seattle, in addition to many Canadian Provinces.  The ability to travel because of his art is a privilege Andrew appreciates greatly.

Mark Kelso – Wildlife, Songbirds

Mark Kelso was born in 1967, and raised in Indianapolis, IN.  During his early years, through the support of his family, he spent much of his time immersed in art and nature.  From this background, Mark chose the visual arts for his career.  He majored in painting at John Herron School of Art, in Indianapolis, IN, and began doing social, philosophical, and environmentally oriented subject matter in his senior year. This nature/civilization content in his paintings was translated to wildlife and landscape subject matter the following year, and has remained a reoccurring theme in his work over the years.

Mark’s art has been exhibited and collected globally. His work has hung in over 100 museums around the world, including such places as the National Geographic Society, Taiwan’s National Museum of Natural History, the London Museum of Natural History, and the Smithsonian Institute in Washington, DC.  Mark has been inducted into the International Society of Animal Artists and Artists For Conservation organizations, and has been seen in various magazines including Fine Art Connoisseur, Western Art Collector, Southwest Art, and Art of the West.  He currently works out of his studio near Indianapolis, IN, and continues to travel extensively, gathering experiences in the wild from which to draw inspiration.

Top